- Beaumont-Hamel and the Trail of the Caribou
- Ginok Song: I Reach Home, I am Serene 송진옥: 나는 집으로 다다르고, 고요함이 된다
- Billy Gauthier: The Earth, Our Mother
- Denyse Thomasos: just beyond
- Grounding
- Fantastic Finds: Archaeology in Newfoundland and Labrador
- How Do I Look?: Ways of Understanding Art
- 10th Province: Modernizing the 1950s and 1960s
- 2026 Arts & Letters Awards
- A Cup of Tea? Antique Teacups and Saucers
- A Job To Say: Newfoundland and Labrador Expressions
- A Piece of Home: Newfoundland Trigger Mitts and Mittens
- A Place at the Table: 100 Years of Women’s Right to Vote
- AUDREY FELTHAM: THE INNER LANDSCAPE
- Adad Hannah: Glints and Reflections
- Adad Hannah: Social Distancing Portraits
- Aishen Antene: 1946 – February 5th, 2019
- Amber-Lynn Thorne: Because of the Sea
- An Afghan Wedding Outfit
- Aspidella! A Significant Fossil Comes Home
- At full tilt: Colette Urban in Western Newfoundland
- Billy Gauthier: Saunituinnaulungitotluni | Beyond Bone
- Boarder X
- Brick by Brick: A Dialogue Between LEGO Creations and Collections
- Buddy the Puffin
- Burnout: Hot 4 the Moment (Georgia Dawkin and Drew Pardy)
- Cabinets of Curiosity
- Classics in Newfoundland: An Unexpected Presence
- Connections: This Place and Its Early Peoples
- Curtis Talwst Santiago: Infinity Series
- Entering the Great War
- Erica Rutherford: Her Lives and Works
- Fantastical Threads: Costumes at The Rooms
- From Far and Wide
- From ‘77 to ’25: A Journey Through Newfoundland and Labrador’s Canada Games
- Future possible: Art of Newfoundland & Labrador to 1949
- Gather: In Celebration of Year of the Arts
- Glenn Gear: Ivaluk Ullugiallu | Sinew & Stars
- Goodnight Moon: a Rhythm, a Tempo
- Gretzky Is Everywhere
- Helloland! Art, War and the Wireless Imagination
- Here, We Made a Home
- In The Making
- In Their Own Words: Life for Labrador Students at Residential School
- Jerry Evans: Weljesi
- Jerry Ropson: To Kiss a Goat Between the Horns
- John Akomfrah: Vertigo Sea
- Jon Sasaki: A Day Becomes a Sunrise
- Jordan Bennett: Souvenir
- Kathleen Knowling: Art is What Makes Life More Interesting Than Art
- Kim Morgan: Blood and Breath, Skin and Dust
- Lighting the Way: Newfoundland and Labrador Lighthouses
- Logan Macdonald: Bæōdut / Hidden Histories
- Loops to Live By
- Louis Koenig: Dead Calm but Torrential Rain
- Making Home Here
- Malin Enström: Inversion
- Manfred Buchheit: Corners
- Marlene Creates: Places, Paths and Pauses
- Max Streicher: Alto Cumulus
- Meagan Musseau: wtoqwan a’tukwaqnm (her story skirt)
- Melissa Tremblett: Reprise
- Michelle MacKinnon: Pandemic Portraits
- Mohau Modisakeng: Passage
- Nasim Makaremi Nia: Entangled
- Ned Pratt: One Wave
- Nelson White: Eymu’tiek (We Are Here)
- Newfoundland Imagined: European Visions in the 1600s
- Newfoundland and Labrador From A to Z
- Of Myths and Mountains
- One-Hundred Years of NONIA: A Proud Legacy
- Outdoor installation: Shelley Miller’s Trade
- Pepa Chan: Brush
- Philippa Jones: Suspended
- Photography in Canada: 1960 - 2000
- Rae Perlin: Whatever I Wanted Was Out There, In the World, Somewhere
- Rodney Latourelle and Louise Witthöft: First We Take the Museum
- Second to None: The History of Aviation in Newfoundland & Labrador
- Shawn O’Hagan: The Child in Me
- Tanea Hynes: WORKHORSE
- Tekweywinen tel weljesultiek (Be With Us In Our Joy)
- The Museum of Longing and Failure: MOLAF XX
- To Launch Forth into the Deep: A Legacy of Supporting the Arts at Memorial University
- To The Boys Who went West: The National War Memorial in St. john's
- Toby Rabinowitz: A World Within A World
- Truth or Myth?
- Up the pond: The Royal St. John’s Regatta
- What Carries Us: Newfoundland and Labrador in the Black Atlantic
- Witness: Canadian Art of the First World War
- ᐃᔨ - Eyes - Shirley Moorhouse
- ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ Double Vision: Jessie Oonark, Janet Kigusiuq, Victoria Mamnguqsualuk
- Arts and Letters
- A Dog's Age
- From This Place: Our Lives on Land and Sea
- Talamh An Éisc: The Fishing Ground
- 100 Years Later: Titanic in the Archive 1912-2012
April 23
The Rooms
9 Bonaventure Avenue
St. John's,
NL
A1C 3Y9
Nature’s Hands on "The Earth, Our Mother"
Billy Gauthier’s The Earth, Our Mother, a breathtaking sculpture carved from a massive fin whale skull, was shaped not only by the artist’s hands but also by decades of exposure to the natural world. Long before becoming a masterpiece, it lay weathering on a beach, transformed by time and the forces of nature.
Join Dr. Janna Andronowski, Associate Professor of Biomedical Sciences at Memorial University, as she explores how weather, environment, and the passage of time contributed to its unique textures and forms. She will reveal the natural markings that inspired Gauthier’s artistic vision, along with the hidden ecosystem that once lived within the skull—an ecosystem that also posed challenges for conservation and curation.
Through this captivating look at the intersection of art, science, and the natural world, Dr. Andronowski reveals the stories shaped by nature’s hands and highlights the remarkable processes that influenced this extraordinary work.”
Tickets: $12 plus HST. Free for Rooms members. Get your tickets online or by calling 709-757-8090.