We’re now on Fall/Winter Hours — closed Mondays, open the rest of the week as usual.
- Beaumont-Hamel and the Trail of the Caribou
- Ginok Song: I Reach Home, I am Serene 송진옥: 나는 집으로 다다르고, 고요함이 된다
- Billy Gauthier: The Earth, Our Mother
- Denyse Thomasos: just beyond
- Grounding
- Fantastic Finds: Archaeology in Newfoundland and Labrador
- How Do I Look?: Ways of Understanding Art
- A Cup of Tea? Antique Teacups and Saucers
- A Job To Say: Newfoundland and Labrador Expressions
- A Piece of Home: Newfoundland Trigger Mitts and Mittens
- A Place at the Table: 100 Years of Women’s Right to Vote
- AUDREY FELTHAM: THE INNER LANDSCAPE
- Adad Hannah: Glints and Reflections
- Adad Hannah: Social Distancing Portraits
- Aishen Antene: 1946 – February 5th, 2019
- Amber-Lynn Thorne: Because of the Sea
- An Afghan Wedding Outfit
- Aspidella! A Significant Fossil Comes Home
- At full tilt: Colette Urban in Western Newfoundland
- Billy Gauthier: Saunituinnaulungitotluni | Beyond Bone
- Boarder X
- Brick by Brick: A Dialogue Between LEGO Creations and Collections
- Buddy the Puffin
- Burnout: Hot 4 the Moment (Georgia Dawkin and Drew Pardy)
- Cabinets of Curiosity
- Christopher Pratt: Drawing from Memory
- Classics in Newfoundland: An Unexpected Presence
- Connections: This Place and Its Early Peoples
- Curtis Talwst Santiago: Infinity Series
- Entering the Great War
- Erica Rutherford: Her Lives and Works
- Fantastical Threads: Costumes at The Rooms
- From Far and Wide
- From ‘77 to ’25: A Journey Through Newfoundland and Labrador’s Canada Games
- Future possible: Art of Newfoundland & Labrador to 1949
- Gather: In Celebration of Year of the Arts
- Glenn Gear: Ivaluk Ullugiallu | Sinew & Stars
- Goodnight Moon: a Rhythm, a Tempo
- Gretzky Is Everywhere
- Helloland! Art, War and the Wireless Imagination
- Here, We Made a Home
- In The Making
- In Their Own Words: Life for Labrador Students at Residential School
- Jerry Evans: Weljesi
- Jerry Ropson: To Kiss a Goat Between the Horns
- John Akomfrah: Vertigo Sea
- Jon Sasaki: A Day Becomes a Sunrise
- Josephine Williams Murphy: Home on New Pennywell Road
- Kathleen Knowling: Art is What Makes Life More Interesting Than Art
- Kim Morgan: Blood and Breath, Skin and Dust
- Lighting the Way: Newfoundland and Labrador Lighthouses
- Logan Macdonald: Bæōdut / Hidden Histories
- Loops to Live By
- Louis Koenig: Dead Calm but Torrential Rain
- Making Home Here
- Malin Enström: Inversion
- Manfred Buchheit: Corners
- Marlene Creates: Places, Paths and Pauses
- Max Streicher: Alto Cumulus
- Melissa Tremblett: Reprise
- Michelle MacKinnon: Pandemic Portraits
- Mohau Modisakeng: Passage
- Ned Pratt: One Wave
- Nelson White: Eymu’tiek (We Are Here)
- Newfoundland Imagined: European Visions in the 1600s
- Newfoundland and Labrador From A to Z
- Of Myths and Mountains
- One-Hundred Years of NONIA: A Proud Legacy
- Outdoor installation: Shelley Miller’s Trade
- Pepa Chan: Brush
- Philippa Jones: Suspended
- Photography in Canada: 1960 - 2000
- Rae Perlin: Whatever I Wanted Was Out There, In the World, Somewhere
- Rodney Latourelle and Louise Witthöft: First We Take the Museum
- Second to None: The History of Aviation in Newfoundland & Labrador
- Tanea Hynes: WORKHORSE
- Tekweywinen tel weljesultiek (Be With Us In Our Joy)
- The House of Wooden Santas
- The Museum of Longing and Failure: MOLAF XX
- To Launch Forth into the Deep: A Legacy of Supporting the Arts at Memorial University
- To The Boys Who went West: The National War Memorial in St. john's
- Toby Rabinowitz: A World Within A World
- Truth or Myth?
- Up the pond: The Royal St. John’s Regatta
- What Carries Us: Newfoundland and Labrador in the Black Atlantic
- Witness: Canadian Art of the First World War
- ᐃᔨ - Eyes - Shirley Moorhouse
- ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ Double Vision: Jessie Oonark, Janet Kigusiuq, Victoria Mamnguqsualuk
- Arts and Letters
- A Dog's Age
- From This Place: Our Lives on Land and Sea
- Talamh An Éisc: The Fishing Ground
- 100 Years Later: Titanic in the Archive 1912-2012
Marlene Creates: Places, Paths and Pauses
Organized and circulated by the Beaverbrook Art Gallery in partnership with Dalhousie Art Gallery with the support of the Museum Assistance Program, Canadian Heritage.
Curated by Susan Gibson Garvey & Andrea Kunard
Presenting the work of prominent Newfoundland-based environmental artist and poet Marlene Creates, this exhibition offers viewers a comprehensive experience of nearly four decades of her unique activities. Throughout her career, Creates has sensitively probed the relationship between human experience and the natural world, choosing a path that privileges the act over the artifact, the moment over the monument. From her earliest ephemeral gestures in the land to her latest immersion in the boreal forest that surrounds her home in Portugal Cove, her photobased, multi-disciplinary practice has explored, as she puts it, “the idea of place — not as a geographical location but as a process that involves memory, multiple narratives, ecology, language, and both scientific and vernacular knowledge.” Her lifelong engagement offers a timely occasion for re-envisioning our own places with attentive environmental and cultural consciousness. Creates leads us to a greater understanding of the natural world and our “places” in it.