We’re now on Fall/Winter Hours — closed Mondays, open the rest of the week as usual.
- Beaumont-Hamel and the Trail of the Caribou
- Ginok Song: I Reach Home, I am Serene 송진옥: 나는 집으로 다다르고, 고요함이 된다
- Billy Gauthier: The Earth, Our Mother
- Denyse Thomasos: just beyond
- Grounding
- Fantastic Finds: Archaeology in Newfoundland and Labrador
- How Do I Look?: Ways of Understanding Art
- A Cup of Tea? Antique Teacups and Saucers
- A Job To Say: Newfoundland and Labrador Expressions
- A Piece of Home: Newfoundland Trigger Mitts and Mittens
- A Place at the Table: 100 Years of Women’s Right to Vote
- AUDREY FELTHAM: THE INNER LANDSCAPE
- Adad Hannah: Glints and Reflections
- Adad Hannah: Social Distancing Portraits
- Aishen Antene: 1946 – February 5th, 2019
- Amber-Lynn Thorne: Because of the Sea
- An Afghan Wedding Outfit
- Aspidella! A Significant Fossil Comes Home
- At full tilt: Colette Urban in Western Newfoundland
- Billy Gauthier: Saunituinnaulungitotluni | Beyond Bone
- Boarder X
- Brick by Brick: A Dialogue Between LEGO Creations and Collections
- Buddy the Puffin
- Burnout: Hot 4 the Moment (Georgia Dawkin and Drew Pardy)
- Cabinets of Curiosity
- Christopher Pratt: Drawing from Memory
- Classics in Newfoundland: An Unexpected Presence
- Connections: This Place and Its Early Peoples
- Curtis Talwst Santiago: Infinity Series
- Entering the Great War
- Erica Rutherford: Her Lives and Works
- Fantastical Threads: Costumes at The Rooms
- From Far and Wide
- From ‘77 to ’25: A Journey Through Newfoundland and Labrador’s Canada Games
- Future possible: Art of Newfoundland & Labrador to 1949
- Gather: In Celebration of Year of the Arts
- Glenn Gear: Ivaluk Ullugiallu | Sinew & Stars
- Goodnight Moon: a Rhythm, a Tempo
- Gretzky Is Everywhere
- Helloland! Art, War and the Wireless Imagination
- Here, We Made a Home
- In The Making
- In Their Own Words: Life for Labrador Students at Residential School
- Jerry Evans: Weljesi
- Jerry Ropson: To Kiss a Goat Between the Horns
- John Akomfrah: Vertigo Sea
- Jon Sasaki: A Day Becomes a Sunrise
- Josephine Williams Murphy: Home on New Pennywell Road
- Kathleen Knowling: Art is What Makes Life More Interesting Than Art
- Kim Morgan: Blood and Breath, Skin and Dust
- Lighting the Way: Newfoundland and Labrador Lighthouses
- Logan Macdonald: Bæōdut / Hidden Histories
- Loops to Live By
- Louis Koenig: Dead Calm but Torrential Rain
- Making Home Here
- Malin Enström: Inversion
- Manfred Buchheit: Corners
- Marlene Creates: Places, Paths and Pauses
- Max Streicher: Alto Cumulus
- Melissa Tremblett: Reprise
- Michelle MacKinnon: Pandemic Portraits
- Mohau Modisakeng: Passage
- Ned Pratt: One Wave
- Nelson White: Eymu’tiek (We Are Here)
- Newfoundland Imagined: European Visions in the 1600s
- Newfoundland and Labrador From A to Z
- Of Myths and Mountains
- One-Hundred Years of NONIA: A Proud Legacy
- Outdoor installation: Shelley Miller’s Trade
- Pepa Chan: Brush
- Philippa Jones: Suspended
- Photography in Canada: 1960 - 2000
- Rae Perlin: Whatever I Wanted Was Out There, In the World, Somewhere
- Rodney Latourelle and Louise Witthöft: First We Take the Museum
- Second to None: The History of Aviation in Newfoundland & Labrador
- Tanea Hynes: WORKHORSE
- Tekweywinen tel weljesultiek (Be With Us In Our Joy)
- The House of Wooden Santas
- The Museum of Longing and Failure: MOLAF XX
- To Launch Forth into the Deep: A Legacy of Supporting the Arts at Memorial University
- To The Boys Who went West: The National War Memorial in St. john's
- Toby Rabinowitz: A World Within A World
- Truth or Myth?
- Up the pond: The Royal St. John’s Regatta
- What Carries Us: Newfoundland and Labrador in the Black Atlantic
- Witness: Canadian Art of the First World War
- ᐃᔨ - Eyes - Shirley Moorhouse
- ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ Double Vision: Jessie Oonark, Janet Kigusiuq, Victoria Mamnguqsualuk
- Arts and Letters
- A Dog's Age
- From This Place: Our Lives on Land and Sea
- Talamh An Éisc: The Fishing Ground
- 100 Years Later: Titanic in the Archive 1912-2012
Pepa Chan: Brush
Sometimes the smallest things can awaken a memory which refuses to be forgotten. During her residency at The Rooms, Pepa Chan produced a series of objects and images confronting a particularly traumatic period of her life that is remembered through the act of getting her hair brushed. Submitting herself to discomfort is nothing new for this artist. She has frequently lived outside her comfort zones to learn about herself and see the world in new and unexpected ways. In this exhibition, Chan works through discomfort to turn traumatic memories into feelings of caring tenderness, and to turn vulnerability into trust.
More about the artist:
Originally from Buenos Aires, Argentina, Pepa Chan is an interdisciplinary artist, art educator, and musician based in St. John’s, NL. Her art practice includes site-specific installation, sculpture, printmaking, performance, and video to generate difficult questions about society, gender and violence. Chan’s work has been exhibited nationally and internationally at venues including the rOGUE Gallery and HOLD FAST Contemporary Art Festival (both St. John’s, NL), as well as Berlin’s Porn Film Festival. She has independently curated and exhibited work at unconventional sites and public spaces, and has a special interest in collaborative practices and socially engaged art.
Image credit:
Pepa Chan. Brush. (2018). Video still. Courtesy of the artist.